Even to this day, men and women both chirp the song's infectious hook at every summer brunch and after-hour spot. Grab a drink and bounce with Jigga. KoRn, "Got the Life" No. Next, "Too Close" No. Spice Girls, "Stop" No. Madonna, "Frozen" No.
The title track from the band's fourth album, but the first with lead vocalist Natalie Maines, features the best of what the Dixie Chicks have to offer: beautiful harmonies, an angsty-but-hopeful storyline, and a twangy violin break. This dance-club gem is often and understandably mistaken for a Daft Punk song. Jennifer Paige, "Crush" No. A year before newly minted pop stars like Britney Spears and Christina Aguilera dominated the scene with their bubblegum anthems, Jennifer Paige played a major role in driving the sound of what was to come for the genre in Y2K.
Mariah Carey feat. Bone Thugs n Harmony, "Breakdown" No. The soul ballad that begins gently only to later explode and soar on the wings of heartbreak or desperate horniness, this is nothing novel. While cramming as many words as possible into the chorus, she enunciates the particulars of her disguise. She lets the mask slip at , riffing and running up the scales behind the pristine chorus. Twelve climaxes in fewer than half as many minutes?
Goo Goo Dolls, "Iris" No. Twenty years later, the magic still resonates: the way the acoustic guitar and mandolin intertwine, the way each bass note lingers, the tug-of-war between the guitars and strings in the bridge, the climax of that skyward electric solo.
DMX feat. Sheek, "Get at Me Dog" No. The song's bark was ferocious even before the rapper born Earl Simmons actually started yapping at chorus' end; few other breakthrough singles in history feel this focused, this determined, this nasty. At all. Las Vegas. Stretching out a Lord Finesse vocal like he's big beat's answer to Steve Reich, Fatboy Slim melded surf guitar, hip-hop, funk, and process music to create one of the most exhilarating dance achievements of the '90s.
Pras feat. Noah Anthony further refines the darkwave pop sound of 's Somewhere Else, incorporating acoustic instruments into his sophisticated arrangements. Renegade Breakdown. After retiring from club music, Marie Davidson and her cohorts produce inventive, exploratory songs drawing from pop, folk, jazz, and cinematic influences. End the Summertime F or ever. Electronic , Rap. A psychedelic beat collage that expresses multiple perceptions of the meaning of summer.
Makaya McCraven. A set of 14 unreleased pieces for the soundtrack to the Universal Beings tour documentary add up to much, much more than a set of extras. Mint Field. Sentimiento Mundial. Mexican dream pop group Mint Field shift their lineup and stretch out in new directions on their second full-length.
Yellow Days. Day in a Yellow Beat. The British bedroom-soul oddball makes his major-label debut with a wild and too-long double album recorded in L. Bob Brookmeyer and Friends. Parallel Realities. John McLaughlin. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
Download as PDF Printable version. July 30, . Filles de Kilimanjaro In a Silent Way Bitches Brew Encyclopedia of Popular Music. Musichound Jazz. The Penguin Guide to Jazz. Bythe early '50s, theChess Brothers who had changed the name of their label from Aristocrat to Chess Records in beganusing Waters'stage band in the studio, and Little Walter in particular became a favorite with blues fans and a superb foil forWaters. OtisSpann joined Waters' group on piano in , and he would become the anchor for the band well into the '60s,after LittleWalter and Jimmy Rogers had left to pursue solo careers.
By the end of the '50s, while Waters was still making fine music, his career was going into a slump. Waters began playing more acoustic music informed by his Mississippi Delta heritage in the years that followed,evenissuing an album titled Muddy Waters: Folk Singer in However, the jolly irony was that British blues fans wouldsoonrekindle interest in Waters and electric Chicago blues; as the rise of the British Invasion made the world aware of theU. In , the Chess Brothers sold the label to General Recorded Tape, and thelabelwent through a long, slow commercial decline, finally folding in Waters would become one of several Chess artistswhosued the label for unpaid royalties in its later years.
Johnny Winter, a longtime Waters fan, heard the blues legendwaswithout a record deal, and was instrumental in getting Waters signed to Blue Sky Records, a CBS-distributed label thathadbecome his recording home. Waters also dazzled music fans when he appeared at the Band's celebrated farewell concert onThanksgiving at the invitation of Levon Helm, who had helped produce one of his last Chess releases, The Muddy WatersWoodstockAlbum. Muddy delivered a stunning performance of "Mannish Boy" that became one of the highlights of MartinScorsese's concert film The Last Waltz.
Between Hard Again and The Last Waltz, Waters enjoyed a major career boost,and he foundhimself touring again for large and enthusiastic crowds, sharing stages with the likes of Eric Clapton and theRolling Stones,and cutting two more well-received albums with Winter as producer, 's I'm Ready and 's King Bee, aswell as a solid concert set, Muddy "Mississippi" Waters Live. We seamlessly combine the tradition of sheet music with instant purchasing and downloads, giving you both the very best product and the very best value.
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